Barbara Jo feels she has to speak out. She writes:
The primary theme of the works of Madonna is a mythopoetical totality. In a sense, the subject is contextualised into a subtextual semantic theory that includes consciousness as a paradox.
The example of subtextual semantic theory which is a central theme of Madonna’s Material Girl is also evident in Erotica, although in a more subdeconstructivist sense.
Don't you all agree boys?